Abstract
This article re-examines what historian Angus Calder has called the Myth of the Blitz, focussing upon the figure central to this Myth - the child asleep in the Underground. Images by Bill Brandt and Henry Moore are considered, as well as material by Graham Greene and Elizabeth Bowen, in order to understand a seminal moment in the history of modern British culture: the formation of a new, modernist aesthetic that was to play an integral part in die post-war transformation of the UK.
Original language | English |
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Pages (from-to) | 295-316 |
Number of pages | 22 |
Journal | The Cambridge Quarterly |
Volume | 36 |
Issue number | 4 |
Publication status | Published - 2007 |
Keywords
- Literature
- Photography
- Art
- Modernism
- World War II
- Cultural History