Collaborative Futures: Arts Funding and Speculative Fiction

J. D. Schnepf*

*Corresponding author for this work

    Research output: Contribution to journalArticleAcademicpeer-review

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    Abstract

    For scholars of literary sociology, US arts institutions—from the federal government to the artist’s colony to the academic writing program—have been central to the shaping of US literature for the better part of a century. This paper offers a preliminary investigation of the global crowdfunding platform Kickstarter as an emerging arts institution. Drawing on Kim Stanley Robinson and Marina Abramović’s artistic collaboration as a case study, the paper argues that the appearance of the Marina Abramović Institute (MAI) in Robinson’s novel New York 2140 troubles the author’s stated generic commitments to “realist speculative fiction”—fiction that bases its vision of the future on the state of things in our present. In addition to furnishing uncertain conditions of production for the novel, Kickstarter’s funding model solicits short-form speculative fiction organized around neoliberal selfhood from its artists. With the assistance of Kickstarter’s networked platform, the MAI’s capital campaign reimagined private funding as public performance art, as dutiful civic engagement, and as reward for artist’s willing to narrate entrepreneurial optimism.
    Original languageEnglish
    Pages (from-to)145-157
    Number of pages13
    JournalReview of International American Studies (RIAS)
    Volume13
    Issue number2
    DOIs
    Publication statusPublished - 31-Dec-2020

    Keywords

    • arts funding
    • arts institutions
    • Kickstarter
    • privatization
    • speculative fiction

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