Eric Voegelin and Gnostic Hollywood: Cinematic Portrayals of the Immanentization of the Eschaton in Dark City (1998) and Pleasantville (1998)

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    In the first part of the paper, I will provide an overview of Eric Voegelin’s early thesis about Gnosis which he formulated in The New Science of Politics (1952) and Science, Politics, and Gnosticism (1968). A special attention will be paid to the idea of the immanentization of the eschaton which remains in the center of his argument. In the second part of the paper, I will analyze two Hollywood films in the light of Voegelin’s thesis: Dark City (1998) and Pleasantville (1998). Firstly, I will argue that the main characters depicted in the films can be classified as Gnostics in Voegelin’s sense. Secondly, I will demonstrate that their revolutionary acts reflect the idea of the immanentization of the eschaton.
    Original languageEnglish
    Pages (from-to)220-242
    Number of pages23
    JournalGnosis: Journal of Gnostic Studies
    Issue number2
    Publication statusPublished - Sep-2020

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