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Abstract
Blues music finds its roots in the antebellum US South and underwent many transformations before it reached a broad audience in Western Europe during the 1950s. Despite its ever-changing nature, European teenagers of the post-World War II baby boom generation conceived it as authentic, pure, and not commercial and therefore an ideal vehicle to rebel against the conformity of white bourgeois society. The Rolling Stones are a famous example of this appropriation of Black music by white musicians, but also Dutch singer Harry ‘Cuby’ Muskee and his band the Blizzards used African American music traditions to break away from the dominant culture. Besides blues music, Muskee also found inspiration in the literature of beat authors. Once he moved to an old farmhouse in the Village of Grolloo, his escape from the mainstream was complete and Cuby himself became an authentic bluesman, a persona that was unmistakably connected to the rural province of Drenthe.
Translated title of the contribution | How Drenthe Got the Blues: Harry Muskee and the Migration of Blues Music |
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Original language | Dutch |
Title of host publication | Nieuwe Drentse Volksalmanak |
Editors | Mark Goslinga, Floor Huisman, Mans Schepers, Fred Sieders, Jelke Take, Vincent van Vilsteren, Gerben de Vries, Karen de Vries, Ellen de Vries-Heijboer, Joke Wolff, Jan van Zijverden |
Publisher | Koninklijke Van Gorcum |
Pages | 57-70 |
Number of pages | 14 |
Volume | 138 |
ISBN (Print) | 9789023258490 |
Publication status | Published - 2021 |
Keywords
- Blues
- Drenthe
- Harry Muskee
- Cuby & the Blizzards
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