Intertextuality and Intermediality in Oscar Wilde's Salome: How Oscar Wilde Become a Postmodernist

Kornelis de Vries

    Research output: Chapter in Book/Report/Conference proceedingChapterAcademic

    Abstract

    This paper approaches Wilde's play from three separate directions: intertextual, visual and musical. Comparing ideas and techniques in the play to the positions of postmodern thinkers, this chapter argues that Wilde sought to incorporate literary and philosophical elements more common to the late 20th century than to the standards of his own time.
    Original languageEnglish
    Title of host publicationRefiguring Oscar Wilde's Salome
    EditorsMichael Bennett
    Place of PublicationAmsterdam
    PublisherRodopi
    Pages235-256
    Number of pages21
    ISBN (Electronic)9789401207201
    ISBN (Print)9789042034327
    Publication statusPublished - 2011

    Keywords

    • WILDE,OSCAR
    • postmodernism
    • intertextuality
    • intermediality
    • music

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