Abstract
While covering all commentaries, our response specifically focuses on the following issues: How can the hypothesis of emotional distancing (qua art framing) be compatible with stipulating high levels of felt negative emotions in art reception? Which concept of altogether pleasurable mixed emotions does our model involve? Can mechanisms of predictive coding, social sharing, and immersion enhance the power of our model?
Original language | English |
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Article number | e380 |
Pages (from-to) | 1-20 |
Number of pages | 21 |
Journal | Behavioral and Brain Sciences |
Volume | 40 |
DOIs | |
Publication status | Published - 2017 |
Keywords
- OPPONENT-PROCESS THEORY
- SAD MUSIC
- AESTHETIC APPRECIATION
- MIXED EMOTIONS
- INDIVIDUAL-DIFFERENCES
- MATERNAL BRAIN
- ELECTROPHYSIOLOGICAL INDEXES
- PSYCHOLOGICAL DISTANCE
- PSYCHICAL DISTANCE
- PROSOCIAL BEHAVIOR