Abstract
This article discusses a set of approaches to national identity that subverted dominant nationalist discourse in Poland during the rule of Law and Justice (2015–2023). Based on a sonic, lyrical, and visual analysis of three popular music case studies, it explores how the populist-enabled mainstreaming of “turbopatriotism” (Napiórkowski 2019) has been criticized and what alternative visions of Polishness have been put forward. I argue that cultural narrations of Polishness as [1]plural, diverse, and cosmopolitan, [2]peripheral, flawed, and complicated, and [3]bygone and mourned, all have unique affective strengths for the continued negotiations of collectivity in post-communist and populist contexts.
| Original language | English |
|---|---|
| Pages (from-to) | 75-93 |
| Number of pages | 19 |
| Journal | IASPM@Journal |
| Volume | 14 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 6-Nov-2024 |
Keywords
- National Identity
- Renarration
- Nationalism
- Populism
- Affect
- Popular music
- Withdrawal
- Protest music
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