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On Machines, Users, and the Politics of Visual Style in AI-generated Images

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    Abstract

    The study of style is often overlooked, partly because it is seen as intangible, ephemeral, or ineffable. Yet, style is fundamental to understanding how visual generative AI platforms redefine the ways in which images are created, edited, used, described, and interpreted. To contextualise the continuities, novelties, and challenges of understanding visual style in AI-generated images, it is important to look at how style has been theorised across different disciplines, which the first part of this chapter does. We approach the visual style of AI-generated images as a pattern of sociocultural meaningmaking that emerges at the intersection of machines, humans, socioeconomic contexts, and visual culture. In the second part of this chapter, we then examine this intersection at three levels, developed across three sections. First, we explore how visual generative AI technologies provide the technical infrastructure to reproduce styles due to their
    training on extensive swaths of data and the recent advancements in machine vision aesthetics. Second, we discuss how users can adjust and modify the default styles to varying degrees, depending on the affordances of the platform and their prompting practices. Third, we argue that photorealism has emerged as a dominant AI style, rooted in the probabilistic reproduction and
    commodification of existing visual forms.
    Original languageEnglish
    Title of host publicationSix Critical Lenses on AI-Generated Images
    EditorsCatherine Bouko, Nataliia Laba
    Place of PublicationBoca Raton
    PublisherCRC Press
    Chapter6
    Pages146-171
    Number of pages27
    ISBN (Electronic)9781003740261
    DOIs
    Publication statusPublished - 12-May-2026

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