Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace

Jan de Jong

Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace

Jan de Jong

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic

Original language	English
Title of host publication	Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650
Editors	A. de Vries
Place of Publication	Leuven - Paris - Dudley, MA
Publisher	Peeters
Pages	109 - 125
ISBN (Print)	978-90-429-2043-9
Publication status	Published - 2008

Publication series

Name	Groningen Studies in Cultural Change
Number	XXXI

Handle.net

Persistent link

Cite this

de Jong, J. (2008). Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace. In A. de Vries (Ed.), Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650 (pp. 109 - 125). (Groningen Studies in Cultural Change; No. XXXI). Peeters.

de Jong, Jan. / Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace. Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650. editor / A. de Vries. Leuven - Paris - Dudley, MA : Peeters, 2008. pp. 109 - 125 (Groningen Studies in Cultural Change; XXXI).

@inbook{30bfb26286914a4ba5a0d41252442c12,

title = "Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace",

author = "{de Jong}, Jan",

note = "Editorship",

year = "2008",

language = "English",

isbn = "978-90-429-2043-9",

series = "Groningen Studies in Cultural Change",

publisher = "Peeters",

number = "XXXI",

pages = "109 -- 125",

editor = "{de Vries}, A.",

booktitle = "Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650",

}

de Jong, J 2008, Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace. in A de Vries (ed.), Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650. Groningen Studies in Cultural Change, no. XXXI, Peeters, Leuven - Paris - Dudley, MA, pp. 109 - 125.

Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace. / de Jong, Jan.
Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650. ed. / A. de Vries. Leuven - Paris - Dudley, MA: Peeters, 2008. p. 109 - 125 (Groningen Studies in Cultural Change; No. XXXI).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic

TY - CHAP

T1 - Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace

AU - de Jong, Jan

N1 - Editorship

PY - 2008

Y1 - 2008

M3 - Chapter

SN - 978-90-429-2043-9

T3 - Groningen Studies in Cultural Change

SP - 109

EP - 125

BT - Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650

A2 - de Vries, A.

PB - Peeters

CY - Leuven - Paris - Dudley, MA

ER -

de Jong J. Propagating Venice's Finest Hour. Vicissitudes of Giuseppe Porta Salviati's Painting of Pope Alexander III and Emperor Frederick Barbarossa in the Sala Regia of the Vatican Palace. In de Vries A, editor, Cultural Mediators. Artists and Writers at the Crossroads of Tradition, Innovation and Reception in the Low Countries and Italy 1450-1650. Leuven - Paris - Dudley, MA: Peeters. 2008. p. 109 - 125. (Groningen Studies in Cultural Change; XXXI).