The linguistic and lyrical development of 2pac in relation to regional hip-hop identity and conflict

Steven Gilbers*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapterAcademicpeer-review

1 Citation (Scopus)
424 Downloads (Pure)

Abstract

Some of hip-hop’s most ferocious expressions of dissatisfaction occur during hip-hop battles about regional status, especially during the East Coast-West Coast hip-hop conflict, which culminated in the deaths of 2Pac and The Notorious B.I.G. By examining 2Pac’s lyrics and his accent from before and during the conflict, this chapter investigates how 2Pac became West Coast hip-hop’s avatar despite being from New York originally. The results suggest 2Pac accomplished this by disassociating himself from East Coast hip-hop in his lyrics and by deliberately manipulating his accent to sound like a native Californian and be accepted by the West Coast hip-hop community.

Original languageEnglish
Title of host publicationThe Sociolinguistics of Hip-hop as Critical Conscience
Subtitle of host publicationDissatisfaction and Dissent
PublisherPalgrave MacMillan
Chapter2
Pages13-36
Number of pages24
ISBN (Electronic)978-3-319-59244-2
ISBN (Print)978-3-319-59243-5
DOIs
Publication statusPublished - 1-Jan-2017

Keywords

  • Accent change
  • African American english regional dialects
  • Deliberate accent manipulation
  • East coast-west coast hip-hop war
  • Longitudinal study
  • Regional hip-hop conflict
  • Regional identity
  • Second dialect acquisition
  • Shakur
  • Tupac "2pac”
  • Vowel duration

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