A New Attribution to Jan van Scorel: The Portrait of Joost Aemsz van der Burch and the Artist's Portrayals of 'Great Lords of the Netherlands'

Molly Faries*, Matthias Ubl

*Corresponding author voor dit werk

OnderzoeksoutputAcademicpeer review

1 Citaat (Scopus)

Samenvatting

This article posits a new attribution to Jan van Scorel of the imposing, frontal portrait of Joost Aemsz van der Burch (c. 1490-1570), Antwerp, The Phoebus Foundation, especially as compared with Scorel's portrayal of Reinoud III van Brederode (1492-1556), Lord of Vianen, Amsterdam, Rijksmuseum. Other portraits by Jan van Scorel that are related in terms of patronage are also discussed, including Portrait of Janus Secundus (1511-1536), The Hague, Haags Historisch Museum; Portrait of a Man in a private collection in England; Portrait of Jean II de Carondelet (1469-1545), Brussels, Musees royaux des Beaux-Arts de Belgique; Portrait of Joris van Egmond (1504-1559), Amsterdam, Rijksmuseum; and Portrait of a Man, Antwerp, The Phoebus Foundation. These provide insights into Scorel's development of portraiture on a more monumental scale, his distinction as a portraitist from his contemporary, Jan Cornelisz Vermeyen, and his clientele at courts in Breda, Mechelen and Brussels.

Originele taal-2English
Pagina's (van-tot)355-371
Aantal pagina's17
TijdschriftRijksmuseum bulletin
Volume65
Nummer van het tijdschrift4
StatusPublished - 2017
Extern gepubliceerdJa

Vingerafdruk

Duik in de onderzoeksthema's van 'A New Attribution to Jan van Scorel: The Portrait of Joost Aemsz van der Burch and the Artist's Portrayals of 'Great Lords of the Netherlands''. Samen vormen ze een unieke vingerafdruk.

Citeer dit