Auto-tuned and R-squared: Reflecting audience quality evaluations in the creative process in music production and cancer research

Hille Bruns, Elizabeth Long Lingo*

*Bijbehorende auteur voor dit werk

OnderzoeksoutputAcademicpeer review

Samenvatting

While audiences play a key role in the implementation and ultimate success of novel ideas, how audiences are reflected in negotiations about quality within the creative process remains under-theorized. We examine this question through a comparative ethnography of two settings where the use of digital technology magnifies the countless micro-decisions involved in producing a creative output and therefore considerations of audience evaluation throughout the creative process—Nashville music production and systems biology cancer research. We find that actors encounter a fundamental tension between two competing standards of quality: the technically perfect, processed and ideal versus the empirically grounded, unprocessed and real. We show how actors navigate this tension vis-á-vis three different audiences—internal peers, extended community, and external reviewers—and how this manifests differently across audiences and the arts and sciences, depending on the audience’s expertise. Our study illuminates the tension between the “ideal versus real” in creative processes that is brought to the fore when creating with digital technology, extends extant research on audiences and organizing for creativity, and offers unique insights from our comparative ethnography across the arts and sciences.
Originele taal-2English
TitelOrganizing Creativity in the Innovation Journey
RedacteurenE. Schuessler, P. Cohendet, S. Svejenova
UitgeverijEmerald Insight
Pagina's91-113
ISBN van elektronische versie978-1-83982-874-4
ISBN van geprinte versie978-1-83982-875-1
DOI's
StatusPublished - 17-sep-2021

Publicatie series

NaamResearch in the Sociology of Organizations
Volume75
ISSN van geprinte versie0733-558X

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