TY - CHAP
T1 - From Personal to Personalized Memory
T2 - Social Media as Mnemotechnology
AU - Prey, Robert
AU - Smit, Rik
PY - 2018/7/18
Y1 - 2018/7/18
N2 - In this chapter, we outline the path of personal to personalized memory to explicate how memories render a self networked. As practices of autobiographical memory are gradually embedded in platforms, in ways that suggest or, in the case of Facebook, remind us of past memories or moments, we take a closer look at industries created around the business of organizing our memories for us. The practice of using technics to create records of memories is not new, and such forms of tertiary retention enabled through photographs, for instance, have been studied as mnemotechnics. We distinguish these practices from those afforded by mnemotechnologies to explain how control of one’s memories is ceded to an industry, which makes a profit from the business of connecting one to one’s past. For the self, practices like composing a diary or a collection of photographs constitute part of sustaining a sense of self, and enabling the storytelling project of the self. As we argue, by composing these diaries, we are also composing ourselves. By contrast, Facebook’s structure of offering reminders mimics the intimacy of a diary, but also suggests an already rendered composition for the networked self: “the writer of the diary is also the reader, but more importantly, the encoder is also the decoder.” Through these automated processes of personalization, we choose from sets of remediated memories of our own making presented via technologies that premediate, or anticipate our need for memorialization.
AB - In this chapter, we outline the path of personal to personalized memory to explicate how memories render a self networked. As practices of autobiographical memory are gradually embedded in platforms, in ways that suggest or, in the case of Facebook, remind us of past memories or moments, we take a closer look at industries created around the business of organizing our memories for us. The practice of using technics to create records of memories is not new, and such forms of tertiary retention enabled through photographs, for instance, have been studied as mnemotechnics. We distinguish these practices from those afforded by mnemotechnologies to explain how control of one’s memories is ceded to an industry, which makes a profit from the business of connecting one to one’s past. For the self, practices like composing a diary or a collection of photographs constitute part of sustaining a sense of self, and enabling the storytelling project of the self. As we argue, by composing these diaries, we are also composing ourselves. By contrast, Facebook’s structure of offering reminders mimics the intimacy of a diary, but also suggests an already rendered composition for the networked self: “the writer of the diary is also the reader, but more importantly, the encoder is also the decoder.” Through these automated processes of personalization, we choose from sets of remediated memories of our own making presented via technologies that premediate, or anticipate our need for memorialization.
KW - MEMORY
KW - SELF
KW - FACEBOOK
KW - Stiegler
KW - SOCIAL MEDIA
KW - On this day
KW - DIARY
UR - https://www.taylorfrancis.com/books/e/9781315202129
M3 - Chapter
SN - 9781138705883
T3 - A Networked Self
SP - 209
EP - 223
BT - A Networked Self and Birth, Life, Death
A2 - Papacharissi, Zizi
PB - Routledge, Taylor and Francis group
CY - New York
ER -