Introduction

Nicholas Baer, Michael Cowan, Anton Kaes

OnderzoeksoutputAcademicpeer review

Samenvatting

The rise of digital media has provoked no shortage of debates about what cinema has been and will become. To some observers, film seems to be a thing of the past, an artifact of twentieth-century visual culture, a relic of the Fordist era with its industrial rhythms and distinct division of labor and leisure. Others point to cinema’s unanticipated afterlives in film festivals and retrospectives, compilation films and museum installations, online archives and virtual cinephilic communities. From the latter perspective, cinema is not so much disappearing as morphing into exciting new forms and hybrids, whose uncharted trajectories bear an uncanny...

Originele taal-2English
TitelThe Promise of Cinema
SubtitelGerman Film Theory, 1907–1933
RedacteurenAnton Kaes, Nicholas Baer, Michael J. Cowan
Plaats van productieOakland
UitgeverijUniversity of California Press
Pagina's1–10
Aantal pagina's10
Uitgave1
ISBN van elektronische versie978-0-520-96243-9
ISBN van geprinte versie9780520219076, 9780520219083
StatusPublished - 2016
Extern gepubliceerdJa

Publicatie series

NaamWeimar and Now: German Cultural Criticism
UitgeverijUniversity of California Press
Volume49

Citeer dit