Samenvatting
This article discusses a set of approaches to national identity that subverted dominant nationalist discourse in Poland during the rule of Law and Justice (2015–2023). Based on a sonic, lyrical, and visual analysis of three popular music case studies, it explores how the populist-enabled mainstreaming of “turbopatriotism” (Napiórkowski 2019) has been criticized and what alternative visions of Polishness have been put forward. I argue that cultural narrations of Polishness as [1]plural, diverse, and cosmopolitan, [2]peripheral, flawed, and complicated, and [3]bygone and mourned, all have unique affective strengths for the continued negotiations of collectivity in post-communist and populist contexts.
Originele taal-2 | English |
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Pagina's (van-tot) | 75-93 |
Aantal pagina's | 19 |
Tijdschrift | IASPM@Journal |
Volume | 14 |
Nummer van het tijdschrift | 2 |
DOI's | |
Status | Published - 6-nov.-2024 |