Presenting the Law: Text and Imagery on Dutch Ten Commandments Panels

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    Many Dutch Calvinist churches house a Ten Commandments panel, installed in
    the late sixteenth or seventeenth century as part of the Reformed adaptation of the medieval Catholic church interior. In this article, the characteristic design of Ten Commandments panels is analyzed as a form of Calvinist visual culture. It suggests that these panels were primarily made to be viewed rather than thoroughly read. The remarkably figurative Moses imagery on panels points at a divergence between the rigid Reformed theological image prohibition and
    the practice of the adaptation of the church interior. The placement of Ten Commandments panels in the Reformed church interior highlights their symbolic value: It signified the need for self-examination of the participants in the Lord’s Supper. The original spatial setting of Ten Commandments panels also shows how the newly Reformed furnishing and use of church space was rooted in its late medieval Catholic past.
    Originele taal-2English
    Pagina's (van-tot)78-108
    Aantal pagina's31
    TijdschriftEntangled Religions
    StatusPublished - 27-jul-2018

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